Palimpsest: Tales Spun From Sea and Memories (23 Mins)

Premiered at The 59th International La Biennale di Venezia (2022) in the Grenada National Pavilion Palimpsest: Tales Spun From Sea And Memories explores fragments of Ottobah Cugoano’s life, who was a major figure in the abolitionist movement in England towards the end of the18th century. He was kidnapped in Ghana and brought to Grenada as a slave before he was brought to England as the personal servant of Alexander Cambell, a Scottish Plantain owner in Grenada. His book Thoughts And Sentiments On The Evils of Slavery... played a seminal role in the abolitionist movement. He was one of the first Afro-Britons to have written a book in English, while employed as a servant for the Royalist Artist, Richard Cosway, introduced to all the pageantries, of class, race, and power in 18th Century England. Cugoano life ended in obscurity.

“Rich and vibrant in visuals as it is compelling in its several narratives.

—Kaitlin Anne Veroort, Art Spiel

Second Eulogy: Mind The Gap (40 Mins)

Second Eulogy: Mind The Gap (premiered at the Venice Biennale 2019 Grenada National Pavilion) exploring personal and collective memories of colonialism, exile, queerness, and identity in Grenada. The film spurns personal tales of loss, longings, memories, and phantasmagoria by interweaving fiction and non-fiction to conjure an abstract story of interconnected lives. The central tale narrates the lives of Nelson, a fisherman and father; his Gay son James coming of age in a verdantly charged landscape; Antoinette, Nelson’s wife who embodies the island’s colonial past and Mother Country; and their maid, Josephine.

“For his incredible film 2nd Eulogy (Mind the Gap)—you must watch all 40 minutes!—in the Grenada Pavilion, the New York-based artist Billy Gerard Frank had difficulty finding gay actors in his Grenada homeland, so he turned to the app Grindr. The lead actor in the film is terrific. “

—Sarah Douglas, Editor-In-Chief , Art News

Absence Of Love (20 Mins) Narrative

Absence of Love is an intimate and taut portrait of three lives: James and Michael, on the far side of a once passionate romance, and James and Samuel, estranged brothers, coming to terms with their father's death, a Baptist minister in the deep south. The film plays with time: the present, in which the story follows these characters as they form a complex love triangle; the past, through the window of childhood memory; and the love story, out of time and place. A richly textured film, Absence of Love viscerally captures the deep-rooted alienation of gay youth in the African American experience.

Daddy’s Little Boy: Letters in Fragments

Early experimental work exploring male incarceration in America.

Projects in Development

 Poetics of Errantry

“We know ourselves as part and as crowd, in an  unknown  that does not terrify. We cry our cry of poetry. Our boats are open, and we sail them for everyone.”

—Édouard Glissant,  Philosophie de la Relation

Poetics of Errantry is a poetic, historical, and fictional film, and a multimedia live presentation. The main film is an imaginative exploration of the formative years in the life of French Caribbean writer and philosopher Édouard Glissant, a pivotal chapter in his life in Paris marked by exile from his homeland of Martinique for political reasons. 

The film serves as both an allegory and a vivid account of contemporary global migration, political strife, and the complex socio-relational dynamics across France, England, Africa, and Europe. While loosely drawing inspiration from Glissant's elusive prose in Poetics of Relation, the film primarily focuses on recreating and depicting the late 1950s to 1960s Parisian period of Glissant’s life that helped shape his intellectual thoughts on creolization, the poetics of relation, and the interconnectedness of cultures and histories. 

Through this lens, Poetics of Errantry interweaves multiple narratives of "errantry," shedding light on the intersecting lives of diverse individuals from different races and classes, all caught in the tumultuous currents of migration, survival, love, resistance, and global political upheaval. Set against the backdrop of the Algerian War, global Black activism, and the fight for independence from colonial powers, the film delves into Glissant’s experiences of exile and his nostalgic connection to his homeland through the vortex of fragmented memories and dreams.

“…but the ocean kept turning blank pages, looking for History”

  — Derek Walcott, The Sea Is History

My Heart Laid Bare (Narrative Feature)

My Heart Laid Bare is a hyperrealist portrait of an African American family and the cast of people their interconnected lives, all yearning for fame and connections, playing out their fate and chances in a world governed by their weighted pasts. Set in Hollywood during the 1970s Blaxploitation era, tumultuous times of the Nixon rein, Rome, and the barren wastes of the Mojave Desert.